A table asks to be walked around. An alabaster figure turns cloth into volume. A painted portrait holds a person still. Here, start with the shape of a presence.
Have five minutes? / An Artologium looking sequence
Three ways to give a body form
Three works, three pauses. These questions invite close looking; they do not propose a historical connection between the objects.
Look closer
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Tea TableCarlo Bugatti (Italian, 1856–1940) · c. 1907The Cleveland Museum of Art · CC0
Full supplied image / A looking prompt
Where support becomes ornament.
Look at the curved supports beneath the tabletop. Follow one line downward and notice where its structural role becomes difficult to separate from its shape.
Cleveland’s Square Shawl record helps locate a particular object within the investigation. This source link does not claim that the three works above influenced one another.
Visual essay · Sources and claim limits inside
What is here / 804 selected works
A partial view. An open door.
The largest of our current museum selections spans paintings, prints, sculpture, textiles and designed objects. Its size reflects the records admitted by our sourcing process; it does not measure the museum’s importance or the breadth of its full collection.
Two figures from Rodin’s Burghers of Calais monument—one a full-length plaster study in Chicago, one a heroic bronze head in Cleveland—show how two mediums record the same civic commission differently.