A maker across collections / 1471–1528
Dürer: images beyond the encounter. Image & source ↗ The Rhinoceros · 1515Source record: The Rhinoceros · CC0
Image record / CC0
The Rhinoceros
Maker Albrecht Dürer
Date 1515
Collection The Metropolitan Museum of Art
Accession 60.708.157
Credit Gift of Harry G. Friedman, 1960
Rights CC0 Resized and JPEG compressed; complete source image preserved in the viewer. No recoloring or reconstruction.
How does an image travel beyond direct observation? Read the source-checked rhinoceros investigation beside works catalogued to Dürer. Then examine Hoffmann's documented later copy in the bird study.
The creator's name is one route into the collection. A work made after a composition belongs to a different attribution category from a work by its maker; preserve that distinction when following an image.
Follow the rhinoceros investigation → Selected objects / exact catalogue attributions
ⓘ "Alberti Dvreri pictoris et architecti praestantissimi De vrbibvs..." Albrecht Dürer · 1535 The Metropolitan Museum of Art · CC0 Artwork / Source record
"Alberti Dvreri pictoris et architecti praestantissimi De vrbibvs..." Read the catalogue and evidence →
Maker Albrecht Dürer
Date 1535
Medium Illustrated book
Collection The Metropolitan Museum of Art
Accession 125.97 D932
Credit Purchased with income from the Jacob S. Rogers Fund
Rights Public domain · CC0 Public domain · CC0. Institution-provided display image; no Artologium pixel changes. Original-resolution image linked at source. Editorial views may show a detail.
Institution’s full-resolution image ↗ Museum reuse policy ↗ Institutional rights designation checked 2026-10-17. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.
Original museum record ↗ Read the CC0 dedication ↗ Copy attribution
+ Save for later Albrecht Dürer · The Metropolitan Museum of Art
Institutional attribution ↗ ⓘ Melencolia I Albrecht Dürer (German, 1471–1528) · 1514 The Cleveland Museum of Art · CC0 Print / Source record
Melencolia I Read the catalogue and evidence →
Maker Albrecht Dürer (German, 1471–1528)
Date 1514
Medium engraving
Collection The Cleveland Museum of Art
Accession 1926.211
Credit Gift of Leonard C. Hanna Jr., in memory of Ralph King
Rights Public domain · CC0 Public domain · CC0. Institution-provided display image; no Artologium pixel changes. Original-resolution image linked at source. Editorial views may show a detail.
Institution’s full-resolution image ↗ Museum reuse policy ↗ Institutional rights designation checked 2026-10-17. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.
Original museum record ↗ Read the CC0 dedication ↗ Copy attribution
+ Save for later Albrecht Dürer (German, 1471–1528) · The Cleveland Museum of Art
Institutional attribution ↗ ⓘ Young Bull Albrecht Dürer German, 1471–1528 · c. 1496, erroneously inscribed in another hand 1508 The Art Institute of Chicago · CC0 Drawing and Watercolor / Source record
Young Bull Read the catalogue and evidence →
Maker Albrecht Dürer German, 1471–1528
Date c. 1496, erroneously inscribed in another hand 1508
Medium Pen and black ink on ivory laid paper
Collection The Art Institute of Chicago
Accession 1965.408
Credit Clarence Buckingham Collection
Rights Public domain · CC0 Public domain · CC0. Unchanged copy of the institution’s verified web image; smaller responsive JPEGs are resized derivatives. Full-resolution image remains linked to the institution. Editorial views may show a detail.
Institution’s full-resolution image ↗ Museum reuse policy ↗ Institutional rights designation checked 2026-10-17. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.
Original museum record ↗ Read the CC0 dedication ↗ Copy attribution
+ Save for later Albrecht Dürer German, 1471–1528 · The Art Institute of Chicago
Institutional attribution ↗ ⓘ Betrayal of Christ, from The Engraved Passion Albrecht Dürer, German, 1471–1528 · 1508 Cooper Hewitt, Smithsonian Design Museum · CC0 Print / Source record
Betrayal of Christ, from The Engraved Passion Read the catalogue and evidence →
Maker Albrecht Dürer, German, 1471–1528
Date 1508
Medium Engraving on laid paper
Collection Cooper Hewitt, Smithsonian Design Museum
Accession 1951-82-4
Credit Ex coll.: Rudolf Busch (b. ab. 1875), Mainz (Lugt 2190) Panofsky 112 Given by Leo Wallerstein
Rights Public domain · CC0 Public domain · CC0. Unchanged copy of the institution’s verified web image; smaller responsive JPEGs are resized derivatives. Full-resolution image remains linked to the institution. Editorial views may show a detail.
Institution’s full-resolution image ↗ Museum reuse policy ↗ Institutional rights designation checked 2026-10-21. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.
Original museum record ↗ Read the CC0 dedication ↗ Copy attribution
+ Save for later Albrecht Dürer, German, 1471–1528 · Cooper Hewitt, Smithsonian Design Museum
Institutional attribution ↗ ⓘ Adam and Eve Albrecht Dürer (German, 1471–1528) · 1504 The Cleveland Museum of Art · CC0 Albrecht Dürer (German, 1471–1528) · The Cleveland Museum of Art
Institutional attribution ↗ ⓘ Hercules at the Crossroad Albrecht Dürer (German, 1471–1528) · c. 1498 The Cleveland Museum of Art · CC0 Print / Source record
Hercules at the Crossroad Read the catalogue and evidence →
Maker Albrecht Dürer (German, 1471–1528)
Date c. 1498
Medium engraving
Collection The Cleveland Museum of Art
Accession 1961.170
Credit Purchase from the J. H. Wade Fund
Rights Public domain · CC0 Public domain · CC0. Institution-provided display image; no Artologium pixel changes. Original-resolution image linked at source. Editorial views may show a detail.
Institution’s full-resolution image ↗ Museum reuse policy ↗ Institutional rights designation checked 2026-10-17. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.
Original museum record ↗ Read the CC0 dedication ↗ Copy attribution
+ Save for later Albrecht Dürer (German, 1471–1528) · The Cleveland Museum of Art
Institutional attribution ↗ Browse represented works → A different attribution. These records name a qualified or collaborative relationship. They are not counted as unqualified works by Albrecht Dürer.
Dead Blue Roller Hans Hoffmann (German, 1545/50–1591/92); after Albrecht Dürer (German, 1471–1528)Read the attribution ↗
This page describes Artologium’s represented selection, not the maker’s complete output. Dates and attributions follow the linked institutional records.