Artologium

Across collections / 01 / A record comparison

Which Great Wave?

You know the design. But an image on a screen also belongs to a particular object, a collection and a photograph. Put those identities back into view.

The MetJP1847

Print
Image & source
A wave curls over three long boats; Mount Fuji sits small beneath its arc.

Print / Source record

Under the Wave off Kanagawa

Read the catalogue and evidence →
Maker
Katsushika Hokusai
Date
ca. 1830–32
Medium
Woodblock print; ink and color on paper
Collection
The Metropolitan Museum of Art
Accession
JP1847
Credit
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Rights
Public domain · CC0

Public domain · CC0. Resized and converted to WebP; no recoloring. Homepage details may be cropped; work record presents the full image. Editorial views may show a detail.

Institution’s full-resolution image ↗Museum reuse policy ↗Original museum record ↗Read the CC0 dedication ↗

Katsushika Hokusai · ca. 1830–32 · CC0
Source record ↗

Chicago1928.1086

Print
Image & source
A color woodblock print of a large crashing wave, looms over two narrow boats full of people. Mt Fuji in the background. There is a faint peach colored sky.

Print / Source record

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"

Read the catalogue and evidence →
Maker
Katsushika Hokusai 葛飾 北斎 Japanese, 1760-1849
Date
1830/33
Medium
Color woodblock print; oban
Collection
The Art Institute of Chicago
Accession
1928.1086
Credit
Clarence Buckingham Collection
Rights
Public domain · CC0

Public domain · CC0. Unchanged copy of the institution’s verified web image; smaller responsive JPEGs are resized derivatives. Full-resolution image remains linked to the institution. Editorial views may show a detail.

Institution’s full-resolution image ↗Museum reuse policy ↗

Institutional rights designation checked 2026-10-17. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.

Original museum record ↗Read the CC0 dedication ↗

Katsushika Hokusai · 1830/33 · CC0
Source record ↗

Two complete supplied images

Same design. Separate records.

Open either image for the original view and source. The display sizes are not physical scale; image differences alone cannot establish condition or printing order.

The Metropolitan Museum of Art

Object number
JP1847
Catalogue date
ca. 1830–32
Medium
Woodblock print; ink and color on paper
Dimensions as recorded
10 1/8 x 14 15/16 in. (25.7 x 37.9 cm)
Collection credit
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Read this museum’s object record ↗

The Art Institute of Chicago

Object number
1928.1086
Catalogue date
1830/33
Medium
Color woodblock print; oban
Dimensions as recorded
25.4 × 37.6 cm (10 × 14 3/4 in.)
Collection credit
Clarence Buckingham Collection
Read this museum’s object record ↗

Complete supplied images, fitted to equal display areas. Display size is not physical scale. Source controls open the full image and attribution. Both selected images are CC0; the institutional records remain distinct.

01 / Look

Begin with what repeats.

Follow the curve of the wave, find the distant mountain, then trace the boats. These visual anchors let you locate the same design in each image. Now look at the edges of the sheet and the space around the printed marks.

Any difference you notice is a question to investigate. Reproduction, lighting, colour processing and display can affect what reaches your screen. These photographs alone cannot establish pigment change, condition or printing order.

02 / Read

The title is not the identifier.

JP1847 and 1928.1086 identify separate collection records. The Met records a date of ca. 1830–32; Chicago records 1830/33. Keep those formulations attached to their sources instead of converting them into an invented precise year.

The recorded dimensions and credit lines also differ. They help identify each object; they do not, by themselves, tell us which impression came first.

03 / Compare the catalogues

Each record gives you a way in.

The Met: a question of scale

The museum’s description draws attention to Hokusai’s use of perspective: the mountain appears small beneath the wave. Return to the image and find the shapes that make that relationship legible.

Read the Met description ↗

Chicago: a named print format

Chicago’s medium field describes a colour woodblock print and names the format as oban. Its dimensions and collection credit belong to this record, even when the design looks familiar.

Read the Chicago record ↗
What this comparison can—and cannot—tell us

This is an Artologium comparison of two identified museum records and their supplied images. It does not establish a sequence of impressions, a direct relationship between the two objects, or a condition assessment. Dates, dimensions, media and credits are reproduced from the linked collection records. Interpretation and looking prompts are Artologium’s.