Drawing and Watercolor
Green and Blue: The Dancer
James McNeill Whistler American, 1834-1903. c. 1893. Watercolor and opaque watercolor over traces of black chalk on brown wove paper laid down on card. Explore the catalogue record, image rights and documented connections from The Art Institute of Chicago.
A maker across collections.
Whistler: the plate after printing. →Follow the maker / Across collections & investigations
James McNeill Whistler across 3 collections
Each museum’s exact creator wording is preserved on its record. Reconciled maker links group works attributed directly to James McNeill Whistler while keeping workshop, studio, or “after” attributions distinct.
- The Two ShipsNational Museum of Asian Art · 1875 · F1901.195 · Compare side by side →
- Cylindrical jarNational Museum of Asian Art · 1876-1878 · F1907.176 · Compare side by side →
- Amsterdam, from the TolhuisNational Museum of Asian Art · 1863 · F1898.327 · Compare side by side →
- Florence LeylandNational Gallery of Art · c. 1873 · 1943.3.1728 · Compare side by side →
A record, with reasons
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Catalogue knowledge
Normalized from the museum’s record.
Drawing and WatercolorObject type
Drawing and Watercolor is a type of object named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Art Institute of Chicago supplies “Drawing and Watercolor” in its object type field. This label was normalized by the documented import rule.
Drawing and Watercolor
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
PaperMaterial
Paper recorded in the object's medium.
A depicted material or colour resemblance is a separate assertion.
The Art Institute of Chicago supplies “Watercolor and opaque watercolor over traces of black chalk on brown wove paper laid down on card; paper (fiber product); watercolor; water-base paint; paint; gouache; black chalk; wove paper” in its medium/materials field. This label was normalized by the documented import rule.
Watercolor and opaque watercolor over traces of black chalk on brown wove paper laid down on card; paper (fiber product); watercolor; water-base paint; paint; gouache; black chalk; wove paper
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
ChalkMaterial
Chalk recorded in the object's medium.
A depicted material or colour resemblance is a separate assertion.
The Art Institute of Chicago supplies “Watercolor and opaque watercolor over traces of black chalk on brown wove paper laid down on card; paper (fiber product); watercolor; water-base paint; paint; gouache; black chalk; wove paper” in its medium/materials field. This label was normalized by the documented import rule.
Watercolor and opaque watercolor over traces of black chalk on brown wove paper laid down on card; paper (fiber product); watercolor; water-base paint; paint; gouache; black chalk; wove paper
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
WatercolourTechnique
Watercolour is a making process named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Art Institute of Chicago supplies “Watercolor and opaque watercolor over traces of black chalk on brown wove paper laid down on card; watercolor painting (technique)” in its medium/techniques field. This label was normalized by the documented import rule.
Watercolor and opaque watercolor over traces of black chalk on brown wove paper laid down on card; watercolor painting (technique)
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
DrawingTechnique
Drawing is a making process named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Art Institute of Chicago supplies “Watercolor and opaque watercolor over traces of black chalk on brown wove paper laid down on card; watercolor painting (technique)” in its medium/techniques field. This label was normalized by the documented import rule.
Watercolor and opaque watercolor over traces of black chalk on brown wove paper laid down on card; watercolor painting (technique)
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
Human-figureSubject
Human-figure is a subject named in the museum catalogue.
An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.
The Art Institute of Chicago supplies “women” in its subjects field. This label was normalized by the documented import rule.
women
Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1
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Artologium reading
Authored connections, open to interpretation.
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These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.
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