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Decorative Art

Crucifix

Probably Rhenish or Mosan 12th Century. c. 1150/1175. gilded copper alloy with champlevé enamel, one jasper stone, and glass. Explore the catalogue record, image rights and documented connections from National Gallery of Art.

CrucifixProbably Rhenish or Mosan 12th Century · c. 1150/1175National Gallery of Art · CC0
Image & source
Crucifix — Decorative Art by Probably Rhenish or Mosan 12th Century. gilded copper alloy with champlevé enamel, one jasper stone, and glass.

Decorative Art / Source record

Crucifix

Read the catalogue and evidence →
Maker
Probably Rhenish or Mosan 12th Century
Date
c. 1150/1175
Medium
gilded copper alloy with champlevé enamel, one jasper stone, and glass
Collection
National Gallery of Art
Accession
1942.9.282
Credit
Widener Collection. Courtesy National Gallery of Art, Washington
Rights
Public domain · CC0

Public domain · CC0. Unchanged copy of the institution’s verified 1000px IIIF display image; smaller responsive JPEGs are resized derivatives. Visit the institution for other available resolutions. Editorial views may show a detail.

Institution’s full-resolution image ↗Museum reuse policy ↗

Institutional rights designation checked 2026-10-21. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.

Original museum record ↗Read the CC0 dedication ↗

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Catalogue knowledge

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Decorative ArtObject type

Decorative Art is a type of object named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

National Gallery of Art supplies “Decorative Art” in its object type field. This label was normalized by the documented import rule.

Decorative Art

Catalogue: National Gallery of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

GlassMaterial

Glass is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

National Gallery of Art supplies “gilded copper alloy with champlevé enamel, one jasper stone, and glass” in its medium/materials field. This label was normalized by the documented import rule.

gilded copper alloy with champlevé enamel, one jasper stone, and glass

Catalogue: National Gallery of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

CopperMaterial

Copper is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

National Gallery of Art supplies “gilded copper alloy with champlevé enamel, one jasper stone, and glass” in its medium/materials field. This label was normalized by the documented import rule.

gilded copper alloy with champlevé enamel, one jasper stone, and glass

Catalogue: National Gallery of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

StoneMaterial

Stone is a material named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

National Gallery of Art supplies “gilded copper alloy with champlevé enamel, one jasper stone, and glass” in its medium/materials field. This label was normalized by the documented import rule.

gilded copper alloy with champlevé enamel, one jasper stone, and glass

Catalogue: National Gallery of Art. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Visual observation

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Artologium reading

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These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.