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Drawing and Watercolor

Jockey

Edgar Degas French, 1834-1917. 1866–68. Graphite with stumping on tan wove paper. Explore the catalogue record, image rights and documented connections from The Art Institute of Chicago.

JockeyEdgar Degas French, 1834-1917 · 1866–68The Art Institute of Chicago · CC0
Image & source
Full-body sketch of a mustached man wearing a jockey's cap. His hands grasp an unseen horse's reins, and his legs are only lightly rendered.

Drawing and Watercolor / Source record

Jockey

Read the catalogue and evidence →
Maker
Edgar Degas French, 1834-1917
Date
1866–68
Medium
Graphite with stumping on tan wove paper
Collection
The Art Institute of Chicago
Accession
1922.5518
Credit
Gift of Robert Allerton
Rights
Public domain · CC0

Public domain · CC0. Unchanged copy of the institution’s verified web image; smaller responsive JPEGs are resized derivatives. Full-resolution image remains linked to the institution. Editorial views may show a detail.

Institution’s full-resolution image ↗Museum reuse policy ↗

Institutional rights designation checked 2026-10-17. Catalogue descriptions are normalized from source data; visual interpretation may be unassessed.

Original museum record ↗Read the CC0 dedication ↗

A record, with reasons

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Catalogue knowledge

Normalized from the museum’s record.

Drawing and WatercolorObject type

Drawing and Watercolor is a type of object named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “Drawing and Watercolor” in its object type field. This label was normalized by the documented import rule.

Drawing and Watercolor

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

PaperMaterial

Paper recorded in the object's medium.

A depicted material or colour resemblance is a separate assertion.

The Art Institute of Chicago supplies “Graphite with stumping on tan wove paper; paper (fiber product); graphite; wove paper” in its medium/materials field. This label was normalized by the documented import rule.

Graphite with stumping on tan wove paper; paper (fiber product); graphite; wove paper

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

GraphiteMaterial

Graphite recorded in the object's medium.

A depicted material or colour resemblance is a separate assertion.

The Art Institute of Chicago supplies “Graphite with stumping on tan wove paper; paper (fiber product); graphite; wove paper” in its medium/materials field. This label was normalized by the documented import rule.

Graphite with stumping on tan wove paper; paper (fiber product); graphite; wove paper

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

DrawingTechnique

Drawing is a making process named in the museum catalogue.

An explicitly supplied catalogue description, normalized conservatively. It does not independently establish attribution, completeness, symbolism or historical influence.

The Art Institute of Chicago supplies “Graphite with stumping on tan wove paper; stumping; drawing techniques” in its medium/techniques field. This label was normalized by the documented import rule.

Graphite with stumping on tan wove paper; stumping; drawing techniques

Catalogue: The Art Institute of Chicago. Automated source-field normalization; no independent visual interpretation.
Source normalization checked 2026-10-21 · 2026-10-20.1

Visual observation

Observations of the displayed image.

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These descriptions belong to this object and its selected image. Unlisted features may be unassessed. Editorial observations and readings were developed with AI assistance; they do not establish the maker’s intent.